SELECTED WORK
Disoluble (2024)
Artificial Intelligence
With CENTRO, I contributed to "THE SELFIE EXPERIENCE" by "El Palacio de Hierro," celebrating the 40-year career of David LaChapelle. I helped create a visual drama on the façade, blending ephemeral and eternal, sacred and profane. The video narrative features elements dissolving and re-emerging with new representations, reflecting LaChapelle's exploration of universal themes. Using AI, we delved into reality's changing nature, merging LaChapelle's discourse with Mexican culture, interior design, fashion, art, and technology.
NUBI (2024)
Cinema 4D
Redshift
Photoshop
Figma
AI
NUBI is a speculative project envisioned as a futuristic brand, developed collaboratively with two friends. We crafted a complete visual identity, designed detailed mockups, and produced an impactful presentation, incorporating realistic renders and high-quality 3D models. NUBI’s AI-powered sound devices are designed to offer personalized musical experiences that promote emotional well-being and enhance creativity. This project showcases great teamwork and ability to blend advanced technology with conceptual design, pitching an innovative vision that bridges the gap between imagination and potential reality.
Connatural
Connatural (2023)
TouchDesigner
Cinema 4D
"Connatural" is a reflective audio visual journey created for the DragonO2, a top-tier volumetric LED system by LedPulse. Working with CENTRO Studio and TKL, my team's job was to portray El Palacio de Hierro's 135-year legacy with a contemporary vision through a series of animations.
Wandering Bot (2023)
Adobe Substance Painter
Cinema 4D
Redshift
This project showcases four images and a short animation. The exploring robot traverses environments, embodying a blend of loneliness and carefree spirit, reflected in its meticulously textured appearance.
Gaslight (2023)
Notch
TouchDesigner
This project merges technology for a live audio-reactive visual experience. Synchronized with Inji's song "Gaslight", MIDI-controlled deformers respond to the beat, and other visual effects are affected for live presentation. Rendered at 11K to fill three walls, it premiered at Immersive Night, an event that took place at Intus' "InSpace".
OFFFMX (2023)
Artificial Intelligence
OFFFMX is a global festival that embraces creativity and digital culture, uniting brilliant minds worldwide. Featuring conferences and workshops, it sparks innovation in those reshaping the creative industry. Last year, I contributed to the crafting of a visualizer for smooth speaker introductions.
The Absence (2023)
Houdini
Ableton Live
Audio-reactive cloth and water simulations with the modern jazz of "The Absence" by _by.Alexander. Employing a storyboard from a synthesized version of the song I crafted, I visually embody the music's character, translating sound into captivating visual experiences.
Ceres (2024)
Houdini
Cinema 4D
Ableton Live
Adobe After Effects
"Ceres" is a passion project born from collaboration with friends. Together, we aimed to craft a short animated film that would ignite contemplation and stir emotions through its abstract storyline. Set in a post-apocalyptic world, it follows a lone survivor and a small desert beetle, symbolizing the fragile equilibrium between life and death. I assumed various roles, from designing the main character and storyboards to animating, motion capture actor, composing, and coloring. Additionally, I delved into sound design, composing music, and layering effects to enhance the narrative depth.
WDTOG? (2023)
TouchDesigner
This work transforms Ilaria Graziano's song "Where Does This Ocean Go?" into an audio-reactive visual journey. Using a MIDI controller ocean and nature videos were modified in real time, complementing the electronic elements and soothing vocals with captivating effects for an emotional and unique fusion.
Between Water and Sky (2022)
Cinema 4D
Octane
Inspired by seashells and abstract organics, I meticulously crafted dreamy renders in through continuous experimentation in 3D modeling. Creating a serene, otherworldly ambiance, thoughtful composition, precise color selection, and final framing was prioritized to capture the essence of this ethereal series.
Untitled (2024)
SuperCollider
Tidal Cyles
Ableton Live
My passion for music extends into exploring innovative ways to merge it with technology. Delving into live coding software, I experimented with SuperCollider and Tidal Cycles. This track, recorded entirely live, captures rhythmic layers and textures, crafted from natural sounds like rock pebbles and water droplets. Immersed in an environment where music arises from code, I found inspiration in Ryuichi Sakamoto's electronic pieces, where I tried to achieve an interesting composition with multiple rhythms and dreamy sounds.
Reactive Speaker Prototype (2023)
In a tech-centric world, this project acts as a bridge, inviting environmental consciousness through sound. The speaker utilizes light sensors to manipulate sound in real time. The sensors capture color and intensity changes in the environment, shaping digital signals that guide shifts between melodies.
Sound Design for Videogame Trailer (2024)
Ableton Live
Reimagined and designed the music and sound for a suspenseful videogame trailer.